Russian Easter Festival Overture, Opus 36 Nikolai Rimsky-Korsakov (1844-1908) Nikolai Rimsky-Korsakov was the dean of 19th Century Russian composers. His championing of Russian composers (indeed, he is mostly responsible for.
Musical Musings: Rimsky- Korsakov - Russian Easter Overture. This composition was based on Russian Orthodox liturgical themes found by Rimsky- Korsakov in an old book. His idea was to highlight the pagan origins of the Easter Festival and how the more modern Orthodox festival and tradition had its roots in the old pagan ways. Rimsky- Korsakov was a non believer but he seems to have had an interest in the music of the church. Rimsky- Korsakov wrote his own program notes for the work, as written in his autobiography. The rather lengthy slow introduction . The gloomy colors of the Andante lugubre seemed to depict the Holy Sepulchre that had shone with ineffable light at the moment of the Resurrection—in the transition to the Allegro of the overture.
Rimsky-Korsakov: Capriccio Espagnol, Overtures / Schwarz, Seattle Symphony Composers: Nikolai Rimsky-Korsakov (Composer) (1844 - 1908. Capriccio Espagnol, Overtures / Schwarz, Seattle Symphony.
The beginning of the Allegro —the theme “Let them also that hate Him flee before Him”—led to the holiday mood of the Greek Orthodox service on Christ's matins; the solemn trumpet voice of the Archangel was replaced by a tonal reproduction of the joyous, almost dancelike tolling of bells, alternating now with the sexton's rapid reading and now with the conventional chant of the priest's reading the glad tidings of the Evangel. The Obikhod theme, “Christ is arisen,” which forms a sort of subsidiary part of the overture, appears amid the trumpet blasts and the bell- tolling, constituting a triumphant coda. It was one of his last works for orchestra as he devoted his time almost exclusively to writing opera. The work is full of orchestral color and shows Rimsky- Korsakov a master of the orchestra.
Russian Easter Overture . Orchestration: 3 flutes (3rd = piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, cymbals, glockenspiel, tam- tam, triangle), harp, and strings. First Los Angeles Philharmonic performance: August 7, 1. Willem van Hoogstraten conducting. Rimsky- Korsakov is one of those major 1. More often than not, he now tends to be described . Our loss, for Rimsky is a terrific entertainer and a much more radical creative figure than one would gather from familiarity only with Scheherazade.
The real Rimsky stands up proudly in his Russian Easter Festival, with its bold harmonies and blazing sonorities: music that sparked the imaginations of the two generations of Russian composers who studied with him, including Liadov, Ippolitov- Ivanov, Arensky, Glazunov, Miaskovsky, and, yes, Stravinsky, while leaving its imprint abroad as well, on Debussy, Ravel, and Respighi, to name only the most luminous. In Russian tradition, Easter is referred to as . The overture was presented to the public just before Christmas of . Petersburg, of which Rimsky had recently been appointed chief conductor.
The following is taken from the composer. The lengthy, slow introduction.. The gloomy colors of the Andante lugubre seemed to depict the holy sepulchre that had shone with ineffable light at the moment of the resurrection.. The solemn trumpet voice of the Archangel is then displaced by a tonal reproduction of the joyous, dance- like tolling of the bells, alternating with an evocation of the sexton. The capering and leaping of King David before the Ark, do they not give expression to the same mood as the idol- worshippers?
Surely, the Russian Obikhod is dance music of the church. And do not the waving beards of the priests and sextons clad in white vestments and surplices, intoning ? And all those Easter loaves and the glowing tapers!
How far a cry from the philosophic teachings of Christ! The legendary and heathen side of the holiday, the transition from the gloomy and mysterious evening of Passion Saturday to the unbridled pagan- religious merrymaking on Easter Sunday morning is what I was eager to reproduce in my Overture. But the composer regarded the result as too precious to convey the . Thus, Rimsky set to work himself on a program, a marvel of discursiveness, heavily laced with quotations from the Old and New Testaments, but ending in a blaze of verbal glory that matches that of the music.
Russian Easter Festival, Op.36 (Rimsky-Korsakov, Nikolay). Notes 2 music pages per. Russian Easter Festival Alt ernative. Scheherazade (Rimsky-Korsakov). During the summer there he finished Scheherazade and the Russian Easter Festival Overture. Notes in his autograph orchestral score show that the. Rimsky-Korsakov: Scheherazade (Beecham-EMI. Russian Easter Overture sheet music. Notes; How to Read Music: Symbols; Take Note. Russian composer Nikolay Rimsky-Korsakov is noted for creating music that is striking and dynamic. Russian Easter Overture sheet music. Concert Band sheet music by Nikolay Andreyevich Rimsky-Korsakov. Sell sheet music on your website and earn cash when you join our Affiliate Program at Sheet Music Plus. Rimsky-Korsakov's non-program music. Nikolai Rimsky-Korsakov by Emil Wiesel.
Nikolai Rimsky-Korsakov - Russian Easter Overture, Op. Born March 18, 1844, Tikhvin, Russia. Program notes may be reproduced only in their entirety and with express written permission from the Chicago Symphony Orchestra.